This takes places directly outside of the Velvet Room, but Elizabeth will offer requests to complete. These can range from Persona fusions to obtaining specific items. Elizabeth will provide new requests depending on story progress and completion of other requests.

When a character is inflicted with Down status, the attacker obtains a One More, which is another turn. The attacker can get as many One Mores as there are enemies to knock down.

The plot can be difficult to grasp at first due to its strange premise and the fact that it spends the first several hours setting the stage and the characters you will frequently interact with.

In addition, after opening enough locked treasure chests with rare items called Twilight Fragments, you will sometimes come across a special door leading to an object called the Great Clock.

The soundtrack is just as incredible to listen to as ever – providing a relaxing atmosphere during calm moments, tension and dread during serious moments, and blood-pumping excitement during boss battles. The soundtrack has even managed to make me feel emotional during the sad and poignant parts of the story.

The Velvet Room is what connects daily life and dungeon life together. This section gives a brief introduction to its services. The Velvet Room offers the following resources to use during the game.

I had only just played Persona 3 Portable in the last few years, so that hundred-hour saga felt relatively fresh in my mind going into my demo persona 3 reload gameplay of Persona 3 Reload. I was excited to hang out with all my old pals, but a bit skeptical that it would be different enough to warrant the time investment all over again.

Largely, Persona 3 Reload follows the base game rather closely. As a member of the SEES, you will explore Tartarus, the altered form of the school that is now a dungeon that changes nightly.

Some sources suggest that Max Charm gives a 1.51 multiplier to Social Link points. Unfortunately I haven't been able to confirm this, but this mechanic has been confirmed to exist in Portable which makes it likely this mechanic exists in this game as well.

Plenty is different back in the outside world, too. First and foremost, I can physically run around 3D city streets and classroom hallways, as opposed to moving a cursor to callout bubbles in a relatively static environment like in past Persona 3 iterations. In general, the camera maintains a tighter shot, making bouncing around locations feel more intimate and nearly first-person.

That often has to be balanced with managing a slew of devastating status ailments and hard-hitting attacks, so things can spiral out of control if you don't play it smart. The best examples of this come from Monad doors, which are all-new rooms within the Tartarus floors – specifically, the boss gauntlets found at progress checkpoints. These fights throw somewhat unconventional combat scenarios at you that bring out the best of these satisfying turn-based battles whether you line up a sequence of attacks perfectly or barely make it by the skin of your teeth.

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Generally speaking, if an activity leads into a cutscene, it will pass time. The exceptions to this are spending time with Elizabeth, and visiting the School Nurse. Story events are always on the same day, and some activities are during a certain day of the week. The game takes place over roughly a year, so your time is limited.

Its social life mechanics were the new unique hook, providing a palette-cleanser from its relentless turn-based RPG fights and procedurally generated dungeons.